What makes Florence Price’s Symphony No. 3 stand out is how unmistakably American it sounds. It takes the traditional ...

From Mellotrons to mind-expanding epics, these 15 albums show why 1973 was prog rock’s boldest, brightest, most adventurous ...

If you think of Johannes Brahms as serious and weighty, this might surprise you.His Serenade No. 2 is warm and lyrical...

This winter’s most creative and compelling classical concerts all benefit from their assiduous embrace of diverse influences, from Native American, Latino, Asian American and Black composers, among ...

Voices of Ascension will present rarely-heard works from three master composers of the 19th and 20th centuries at Church of ...

To make music for 'Hedda,' composer Hildur Gudnadottir got the cast and crew to breathe together and sing together ...

The Raymond F. Kravis Center for the Performing Arts will bring audiences a New Year packed with the arts as January 2026 ...

Change in the art and music world can come swiftly or cautiously, but finding meaning in either one is not necessarily easy to manage. Generally, new start-up organizations are a good sign, as is ...

As vinyl sleeves grew into larger creative canvases, musicians in the 1970s increasingly turned to visionary photographers, ...

Chloe Flower dishes on her love of combing pop and classical music in a unique genre she likes to call "popsical," and creating the first-ever all-female composed holiday album. Watch till the end for ...

She can't stop and she won't stop. Over the past two years, Miley Cyrus has been a prolific presence in Hollywood: making a trippy cameo in Ethan Coen's "Drive-Away Dolls," performing the end-credits ...

Performances in N.Y.C. Advertisement Supported by A holiday album that cuts through seasonal glut, a late collaboration by Jim McNeely and Helmut Lachenmann’s string quartets are among the highlights.