a tedious, repetitive film to endure (with a particularly gnarly, disturbing, unpleasant scene involving a cat falling victim to a vampiress—the limp, lifeless cat being the real deal, only sedated), ...
Soon retiring the increasingly cosy familiarity of Hammer’s period-set Dracula series, the two Count Yorga films restored the ferocity of the 1958 original, when Christopher Lee’s lofty aristocratic ...
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